In this fiercely ambitious study, Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics, tracing the nineteenth- and twentieth-century movements that sought to break art down into its constituent elements, which in many ways predicted and paved the way for our acceptance of digital art. Through a series of case studies, Hoy questions the separation between analog and digital art and finds that while there may be sensual and experiential differences, they fall within the same technological categories. She also discusses computational art, in which the sole act of creation is the building of a self-generating algorithm. The medium isn't the message-what really matters is the degree to which the viewer can sense a creative hand in the art.
This volume presents the long history of Syria through a jouney of the most important and recently-excavated archaeological sites. The sites cover over 1.8 million years and all regions in Syria; 110 academics have contributed information on 103 excavations for this volume. Based on these contributions the volume offers a detailed summary of the history of Syria, a history as important as any in terms of the development of human society. It is hoped that this knowledge will offer not only an increased understanding of the country but also act as a deterrent to the destruction of Syrian cultural heritage and facilitate the protection of Syrian sites.
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